TUESDAY October 10, 7:30 p.m. (finishing at approx 10:30 p.m.)
SEMYON KOTKO
An opera in five acts or seven scenes
by Sergei Prokofiev (1891 – 1953)
Libretto by Sergei Prokofiev & Valentin Kataev
First performed at the Stanislavsky Theatre in Moscow on 23 June 1940
Cast
Production
A 2015 production by the Kirov Opera from the Mariinsky Theatre
Direction by Yuri Alexandrov
Design by Semyon Pastukh
Costume design by Galina Solovieva
Lighting design by Gleb Filshtinsky
The Mariinsky Chorus & Orchestra
conducted by Valery Gergiev
Synopsis
ACT ONE
Semyon has returned to his village after four year's absence but instead of his home he finds a scorched wasteland, pitted with craters, in which people are hiding; they are his fellow villagers, friends from his youth, his grown up sister Frosya, her young suitor Mikola, and his mother, now aged and laden with woes and grief. Upon seeing his beloved Sofia, he is overcome with warmth and affection. But Sofia's father, the former sergeant-major, Tkachenko, despite his earlier promise of his daughter's hand to Semyon is now reluctant as he is a pauper. Help comes unexpectedly from Remenyuk, chairman of the village council, and the sailor Tsarev and his future bride Lyubka. Meeting this trio stirs conflicting emotions in Semyon's soul but he is prepared to do anything for the sake of his happiness with Sofia. The new allies and matchmakers are convinced that Tkachenko, the 'kulak' will not dare refuse these representatives of the revolutionary authorities.
ACT TWO
Tkachenko has given refuge to Klembovsky, the local landowner disguised as a hired worker, whom he wants Sofia to marry. However the unwanted matchmakers are already at his door. The festive betrothal ceremony of Sofia and Semyon descends into a terrible farce. Tkachenko believes the revolution will fail and he watches in horror as the uninvited guests burst into his house. The wild 'red wedding' is cut short by the sudden arrival of the Germans. All are seized by a feeling of impending doom, a fear of some terrifying destructive power that they are yet to face. Remenyuk entrusts the papers listing he division of the Klembovsky estate to the old man Ivasenko. Tsarev stays behind to be with Lyubka.
ACT THREE
Amid the ruins and ashes, pairs of young lovers can be seen in the fog – three faiths, three hopes and three loves with no future. The fragile pre-dawn silence is broken by an implacable avenging force. The 'Reds' , the Germans, the 'White Guards' and the 'haydamaks' have all become entangled in the bloody mass. Mikola and Lyubka watch as Mikola's father, the old man Ivasenko, and the sailor Tsarev are hanged. Sofia manages to warn Semyon, who escapes with Mikola, after rescuing the bodies of Ivasenko and Tsarev. Lyubka has gone mad, refusing to believe that Tsarev is dead. The Germans burn down Semyon's cottage; the blaze spreads and the village is seized with horror and panic.
ACT FOUR
Semyon and Mikola make it safely into the woods, where they join up with a unit of partisans. Remenyuk is shocked by the savage punishment of Ivasenko and Tsarev at the hands of the haydamaks. As they solemnly bury the bodies they swear to avenge the deaths of their comrades. Semyon is training new recruits in the art of war. Frosya appears and tells of how Tkachenko is forcing Sofia to marry Klembovsky. At that moment the unit receives orders to carry out a reconnaissance mission behind enemy lines to join with the Red Army. Semyon and Mikola leave for their native village to blow up the German headquarters.
ACT FIVE
The village square is deserted apart from Semyon's mother and a blind bandura player. Candles are burning in the church. Sofia is about to enter the church to marry Klembovsky against her will when Semyon and Mikola arrive in time to hurl a grenade into the church. But they are caught by the haydamaks and sentenced to death by firing squad. The Germans hastily withdraw. Tkachenko is arrested and taken off to execution while Remenyuk and the Red Army arrive to dedicate themselves to the struggle for the freedom of the Ukraine and its people.
Click here to watch the finale of this production
(subtitles will be shown in our screening)

Semyon (Viktor Lutsyuk) encounters
Sofia (Tatiana Pavlovskaya)
on his return to his village
Explanatory notes
The opera is set in a Ukrainian village in 1918. The revolutionary Bolshevik government in Moscow has made peace with Germany, but much of the Ukraine is still under German occupation. The Red Army is advancing, supported by scattered revolutionary partisan units. They are opposed by the Germans and Haydamaks, members of a cavalry detachment loyal to the reactionary Ukrainian nationalists.
Kulak - A peasant in Russia wealthy enough to own a farm and hire labour. During the collectivisation millions of kulaks were deprived of their property, sent into exile or killed.
The Reds or Red Army - The armed forces established immediately after the 1917 October revolution.
The White Army - Military arm of a loose confederation of anti-Bolshevek forces aligned against the Communist government.
A haydamak - Historically, a member of a pro-Ukranian (Cossack) paramilitary band in the 18th century Polish-Lithuanian Commonwealth. The movement was mostly comprised of local Cossacks, peasantry and rebels. In the context of the Civil war of 1917 - 1922, a haydamak was used to refer to the detachments fighting for the independence of Ukraine both against the Reds and the Whites.
Semyon and Sofia's exuberant 'red wedding'
Prokofiev’s works for the stage
The Fiery Angel was written in 1919 immediately after Prokofiev’s third and most frequently performed opera, The Love of Three Oranges. Semyon Kotko was presented fifteen years after The Fiery Angel. His opera War and Peace was written between 1941 and 1943.
Included amongst Prokofiev’s works are his two extremely popular ballets, Romeo and Juliet and Cinderella.
NEXT MEETING: Tuesday, November 10, 7.30 pm
Don Carlo - (Verdi)
We end the year with our second Verdi opera, in a stirring 2008 performance from Covent Garden.
Rolando Villazón stars as Carlo with Marina Poplavskaya as Elizabeth of Valois (see below). Simon Keenlyside appears as Rodrigo and Ferruccio Furlanetto as Philip II.
Sir Antonio Pappano conducts.